2 Models
2 Models

General

General

Camera Section

Camera Section

Camera Section

Camera Section

Camera Section

Camera Section

Image Sensor

Recording (still images)

Recording (still images)

Recording (still images)

Recording (still images)

Recording (movie)

Recording (movie)

Recording System (movie)

Recording System (movie)

Recording System (movie)

Recording System (movie)

Recording System (movie)

Recording System (movie)

Movie Functions

Movie Functions

Movie Functions

Movie Functions

Recording System

Focus System

Focus System

Focus System

Focus System

Focus System

Focus System

Exposure Control

Exposure Control

Exposure Control

Exposure Control

Exposure Control

Viewfinder

Viewfinder

Viewfinder

Viewfinder

Viewfinder

Viewfinder

LCD Screen

LCD Screen

LCD Screen

LCD Screen

Other Features

Other Features

Shutter

Shutter

Shutter

Shutter

Image Stabilization

Image Stabilization

Image Stabilization

Drive

Drive

Playback

Accessibility

Interface

Interface

Interface

Interface

Interface

Interface

Interface

Interface

Interface

Interface

Interface

USB Streaming

USB Streaming

USB Streaming

Network streaming

Network streaming

Network streaming

Network streaming

Audio

Audio

Lens Compensation

Power

Power

Power

Power

Power

Power

Power

Power

Size & Weight

Size & Weight

Size & Weight

Operating temparature

Operating temparature

Supplied Accesory

CAMERA TYPE

Lens Mount

LATITUDE

SENSOR TYPE

NUMBER OF PIXELS (Total)

NUMBER OF PIXELS (EFFECTIVE)

OPTICAL LOW PASS FILTER

COLOR TEMPERATURE RANGE

Anti-Dust System

RECORDING FORMAT

IMAGE SIZE (PIXELS) [3:2]

IMAGE QUALITY MODES

14bit RAW

VIDEO COMPRESSION

AUDIO RECORDING FORMAT

MOVIE RECORDING FORMAT (XAVC HS 4K)

MOVIE RECORDING FORMAT (XAVC S 4K)

MOVIE RECORDING FORMAT (XAVC S HD)

MOVIE RECORDING FORMAT (XAVC S-I 4K)

MOVIE RECORDING FORMAT (XAVC S-I DCI4K)

MOVIE RECORDING FORMAT (XAVC S-I HD)

SLOW & QUICK MOTION (SHOOTING FRAME RATE)

PROXY RECORDING

TC / UB

RAW OUTPUT

Memory Card Slot

FOCUS TYPE

FOCUS POINT

FOCUS SENSITIVITY RANGE

RECOGNITION TARGET (STILL IMAGES)

RECOGNITION TARGET (MOVIES)

OTHER FEATURES

METERING TYPE

METERING SENSITIVITY

EXPOSURE COMPENSATION

ISO SENSITIVITY

ANTI-FLICKER SHOOT.

TYPE

Number of Dots

Magnification

DIOPTRE

Eye Point

Finder Frame Rate Selection

Monitor Type

TOUCH PANEL

Number of Dots

Adjustable Angle

CLEAR IMAGE ZOOM (STILL IMAGES)

CLEAR IMAGE ZOOM (MOVIES)

Shutter Type

Shutter Speed

Flash Sync. Speed

Electronic Front Curtain Shutter

Type

Compensation Effect

MODE

Continuous Drive Speed (approx. max.)

NO. OF FRAME RECORDABLE (APPROX.)

MODES

FUNCTIONS

PC INTERFACE

MULTI / MICRO USB TERMINAL

USB TYPE-C TERMINAL

WIRELESS LAN (BUILT-IN)

Bluetooth

HDMI OUTPUT

Multi Interface Shoe

Mic Terminal

Headphone Terminal

REMOTE CONTROL (WIRELESS)

FUNCTIONS

VIDEO DATA FORMAT

VIDEO RESOLUTION

AUDIO DATA FORMAT

VIDEO DATA FORMAT

VIDEO RESOLUTION

AUDIO DATA FORMAT

PROTOCOL

Microphone

Speaker

SETTING

SUPPLIED BATTERY

Battery Life (Still Images)

Battery Life (Movie, actual recording)

Battery Life (Movie, continuous recording)

Internal Battery Charge

USB POWER SUPPLY

Power consumption with Viewfinder

Power consumption with LCD screen

WEIGHT (WITH BATTERY AND MEMORY CARD INCLUDED)

BODY ONLY

Dimensions (W x H x D)

OPERATING TEMPERATURE

STORAGE TEMPERATURE

WHAT'S IN THE BOX

Body Only
ILME-FX2B
Body Only 
ILME-FX2B

CAMERA TYPE

  • Interchangeable lens digital camera

Lens Mount

  • E-mount

LATITUDE

  • 15+ stops (S-Log3)

SENSOR TYPE

  • 35mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor

NUMBER OF PIXELS (Total)

  • Approx. 34.1 megapixels

NUMBER OF PIXELS (EFFECTIVE)

  • Still images: Approx. 33.0 megapixels max., Movies: Approx. 27.6 megapixels max.

OPTICAL LOW PASS FILTER

  • Yes

COLOR TEMPERATURE RANGE

  • 2500 K - 9900 K

Anti-Dust System

  • Yes

RECORDING FORMAT

  • JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)

IMAGE SIZE (PIXELS) [3:2]

  • 35mm full frame L: 7008 x 4672 (33 M), M: 4608 x 3072 (14 M), S: 3504 x 2336 (8.2 M)

IMAGE QUALITY MODES

  • RAW, JPEG, HEIF (4:2:0 / 4:2:2), RAW & JPEG, RAW & HEIF

14bit RAW

  • Yes

VIDEO COMPRESSION

  • XAVC HS: MPEG-H HEVC/H.265, XAVC S: MPEG-4 AVC/H.264

AUDIO RECORDING FORMAT

  • LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit)

MOVIE RECORDING FORMAT (XAVC HS 4K)

  • 3840 x 2160 (4:2:0, 10bit) (Approx.): 59.94p (150 Mbps / 75 Mbps / 45 Mbps), 23.98p (100 Mbps / 50 Mbps / 30 Mbps), 50p (150 Mbps / 75 Mbps / 45 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (200 Mbps / 100 Mbps), 23.98p (100 Mbps / 50 Mbps), 50p (200 Mbps / 100 Mbps)

MOVIE RECORDING FORMAT (XAVC S 4K)

  • 3840 x 2160 (4:2:0, 8bit) (Approx.): 59.94p (150 Mbps), 29.97p (100 Mbps / 60 Mbps), 23.98p (100 Mbps / 60 Mbps), 50p (150 Mbps), 25p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (200 Mbps), 29.97p (140 Mbps), 23.98p (100 Mbps), 50p (200 Mbps), 25p (140 Mbps)

MOVIE RECORDING FORMAT (XAVC S HD)

  • 1920 x 1080 (4:2:0, 8bit) (Approx.): 119.88p (100 Mbps / 60 Mbps), 59.94p (50 Mbps / 25 Mbps), 29.97p (50 Mbps / 16 Mbps), 23.98p (50 Mbps), 100p (100 Mbps / 60 Mbps), 50p (50 Mbps / 25 Mbps), 25p (50 Mbps / 16 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.): 59.94p (50 Mbps), 29.97p (50 Mbps), 23.98p (50 Mbps), 50p (50 Mbps), 25p (50 Mbps)

MOVIE RECORDING FORMAT (XAVC S-I 4K)

  • 3840 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (600 Mbps), 29.97p (300 Mbps), 23.98p (240 Mbps), 50p (500 Mbps), 25p (250 Mbps)

MOVIE RECORDING FORMAT (XAVC S-I DCI4K)

  • 4096 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (600 Mbps), 29.97p (300 Mbps), 23.98p (240 Mbps), 50p (500 Mbps), 25p (250 Mbps), 24.00p (240 Mbps)

MOVIE RECORDING FORMAT (XAVC S-I HD)

  • 1920 x 1080 (4:2:2, 10bit) (Approx.): 59.94p (222 Mbps), 29.97p (111 Mbps), 23.98p (89 Mbps), 50p (185 Mbps), 25p (93 Mbps)

SLOW & QUICK MOTION (SHOOTING FRAME RATE)

  • Yes

PROXY RECORDING

  • Yes

TC / UB

  • Yes

RAW OUTPUT

  • Yes (HDMI)

Memory Card Slot

  • SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress 2 Type A card, SLOT2: SD (UHS-I/II compliant) memory card

FOCUS TYPE

  • Fast Hybrid AF (phase-detection AF / contrast-detection AF)

FOCUS POINT

  • Still images: Max. 759 points (phase-detection AF), Movies: Max. 627 points (phase-detection AF)

FOCUS SENSITIVITY RANGE

  • EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)

RECOGNITION TARGET (STILL IMAGES)

  • Auto, Human, Animal, Bird, Insect, Car, Train, Airplane

RECOGNITION TARGET (MOVIES)

  • Auto, Human, Animal, Bird, Insect, Car, Train, Airplane

OTHER FEATURES

  • AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)

METERING TYPE

  • 1200-zone evaluative metering

METERING SENSITIVITY

  • EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

EXPOSURE COMPENSATION

  • +/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)

ISO SENSITIVITY

  • Still images: ISO 100 - 51200 (expandable to ISO 50 - 204800), AUTO (ISO 100 - 12800, selectable lower limit and upper limit), Movies: ISO 100 - 51200 equivalent (expandable to ISO 102400), AUTO (ISO 100 - 12800, selectable lower limit and upper limit)

ANTI-FLICKER SHOOT.

  • Yes

TYPE

  • 1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED)

Number of Dots

  • 3 686 400 dots

Magnification

  • Approx. 0.70x (with 50 mm lens at infinity, -1 m-1)

DIOPTRE

  • -4.0 to +3.0 m-1

Eye Point

  • Approx. 33 mm from the eyepiece lens, 27 mm from the eyepiece frame at -1 m-1 (CIPA standard)

Finder Frame Rate Selection

  • STD 60 fps / HI 120 fps

Monitor Type

  • 7.5 cm (3.0-type) type TFT

TOUCH PANEL

  • Yes

Number of Dots

  • 1 036 800 dots

Adjustable Angle

  • Opening Angle: Approx. 176 °, Rotation Angle: Approx. 270 °

CLEAR IMAGE ZOOM (STILL IMAGES)

  • Approx. 2x

CLEAR IMAGE ZOOM (MOVIES)

  • Approx. 1.5x (4K), Approx. 2x (HD)

Shutter Type

  • Mechanical shutter / Electronic shutter

Shutter Speed

  • Still images (Mechanical shutter): 1/4000 to 30 s, Bulb, Still images (Electronic shutter): 1/8000 to 30 s, Movies: 1/8000 to 1 s

Flash Sync. Speed

  • 1/160 s (35mm full frame), 1/200 s (APS-C)

Electronic Front Curtain Shutter

  • Yes

Type

  • Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)

Compensation Effect

  • Center 5.5 stops and Periphery 5.0 stops (based on CIPA2024 standard. Pitch/yaw/roll shake only. With FE 50mm F1.2 GM lens mounted. Long exposure NR off.)

MODE

  • Still images: On / Off, Movie: Dynamic active / Active / Standard / Off

Continuous Drive Speed (approx. max.)

  • Hi+: 10 fps

NO. OF FRAME RECORDABLE (APPROX.)

  • JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPEG: over 1000 frames, RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPEG: over 1000 frames, RAW (Lossless Compressed): over 1000 frames, RAW (Lossless Compressed) & JPEG: over 1000 frames

MODES

  • Enlarged Image, Protect, Rating, Shot Mark (Movie), Divider Frame, Crop, Photo Capture

FUNCTIONS

  • Screen Reader, Focus Magnifier, Focus Map (Movie), Peaking Display, Subject Recognition in AF, Touch Focus, Touch Tracking, Touch Shutter, Touch AE, Vari-angle LCD screen, Custom function, Enlarge Screen

PC INTERFACE

  • Mass-storage / MTP

MULTI / MICRO USB TERMINAL

  • Yes

USB TYPE-C TERMINAL

  • Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible)

WIRELESS LAN (BUILT-IN)

  • Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))

Bluetooth

  • Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band))

HDMI OUTPUT

  • HDMI connector (Type-A), 4096 x 2160 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p) / 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit, 4672 x 2628 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p), Raw 16bit

Multi Interface Shoe

  • Yes (with Digital Audio Interface)

Mic Terminal

  • Yes (3.5 mm Stereo minijack)

Headphone Terminal

  • Yes (3.5 mm Stereo minijack)

REMOTE CONTROL (WIRELESS)

  • Yes (Bluetooth remote control)

FUNCTIONS

  • Send to smartphone, Remote control via smartphone, Remote Shooting

VIDEO DATA FORMAT

  • MJPEG, YUV420

VIDEO RESOLUTION

  • 3840 x 2160 (14.99p / 29.97p), 1920 x 1080 (29.97p / 59.94p), 1280 x 720 (29.97p), 3840 x 2160 (12.5p / 25p), 1920 x 1080 (25p / 50p), 1280 x 720 (25p)

AUDIO DATA FORMAT

  • LPCM 2ch (16bit 48 kHz)

VIDEO DATA FORMAT

  • MPEG-4 AVC/H.264, MPEG-H HEVC/H.265

VIDEO RESOLUTION

  • 3840 x 2160 (29.97p / 59.94p), 3840 x 2160 (25p / 50p), 2560 x 1440 (29.97p / 59.94p), 2560 x 1440 (25p / 50p), 1920 x 1080 (29.97p / 59.94p), 1920 x 1080 (25p / 50p), 1280 x 720 (29.97p / 59.94p), 1280 x 720 (25p / 50p)

AUDIO DATA FORMAT

  • AAC-LC 2ch (16bit 48 kHz)

PROTOCOL

  • RTMP, RTMPS, SRT

Microphone

  • Built-in, stereo

Speaker

  • Built-in, monaural

SETTING

  • Shading, Chromatic Aberration, Distortion, Breathing (Movie)

SUPPLIED BATTERY

  • One rechargeable battery pack NP-FZ100

Battery Life (Still Images)

  • Approx. 470 shots (Viewfinder) / Approx. 520 shots (LCD monitor) (CIPA standard)

Battery Life (Movie, actual recording)

  • Approx. 90 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA standard)

Battery Life (Movie, continuous recording)

  • Approx. 150 min (Viewfinder) / Approx. 155 min (LCD monitor) (CIPA standard)

Internal Battery Charge

  • Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

USB POWER SUPPLY

  • Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

Power consumption with Viewfinder

  • Still images: Approx. 4.2 W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 6.6 W (with FE 28-70mm F3.5-5.6 OSS lens attached)

Power consumption with LCD screen

  • Still images: Approx. 3.8 W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 6.3 W (with FE 28-70mm F3.5-5.6 OSS lens attached)

WEIGHT (WITH BATTERY AND MEMORY CARD INCLUDED)

  • Approx. 679 g / Approx. 1 lb 8.0 oz

BODY ONLY

  • Approx. 594 g / Approx. 1 lb 5.0 oz

Dimensions (W x H x D)

  • Approx. 129.7 x 77.8 x 103.7 mm, Approx. 129.7 x 77.8 x 85.0 mm (from grip to monitor) / Approx. 5 1/8 x 3 1/8 x 4 1/8 inches, Approx. 5 1/8 x 3 1/8 x 3 3/8 inches (from grip to monitor)

OPERATING TEMPERATURE

  • 0 - 40 ℃ / 32 - 104 °F

STORAGE TEMPERATURE

  • -20 - 55 ℃ / -4 - 131 °F

WHAT'S IN THE BOX

  • Rechargeable Battery NP-FZ100, Body cap, Accessory shoe cap, Eyepiece cup
Body + XLR Handle Unit
ILME-FX2
Body + XLR Handle Unit 
ILME-FX2

CAMERA TYPE

  • Interchangeable lens digital camera

Lens Mount

  • E-mount

LATITUDE

  • 15+ stops (S-Log3)

SENSOR TYPE

  • 35mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor

NUMBER OF PIXELS (Total)

  • Approx. 34.1 megapixels

NUMBER OF PIXELS (EFFECTIVE)

  • Still images: Approx. 33.0 megapixels max., Movies: Approx. 27.6 megapixels max.

OPTICAL LOW PASS FILTER

  • Yes

COLOR TEMPERATURE RANGE

  • 2500 K - 9900 K

Anti-Dust System

  • Yes

RECORDING FORMAT

  • JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)

IMAGE SIZE (PIXELS) [3:2]

  • 35mm full frame L: 7008 x 4672 (33 M), M: 4608 x 3072 (14 M), S: 3504 x 2336 (8.2 M)

IMAGE QUALITY MODES

  • RAW, JPEG, HEIF (4:2:0 / 4:2:2), RAW & JPEG, RAW & HEIF

14bit RAW

  • Yes

VIDEO COMPRESSION

  • XAVC HS: MPEG-H HEVC/H.265, XAVC S: MPEG-4 AVC/H.264

AUDIO RECORDING FORMAT

  • LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit)

MOVIE RECORDING FORMAT (XAVC HS 4K)

  • 3840 x 2160 (4:2:0, 10bit) (Approx.): 59.94p (150 Mbps / 75 Mbps / 45 Mbps), 23.98p (100 Mbps / 50 Mbps / 30 Mbps), 50p (150 Mbps / 75 Mbps / 45 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (200 Mbps / 100 Mbps), 23.98p (100 Mbps / 50 Mbps), 50p (200 Mbps / 100 Mbps)

MOVIE RECORDING FORMAT (XAVC S 4K)

  • 3840 x 2160 (4:2:0, 8bit) (Approx.): 59.94p (150 Mbps), 29.97p (100 Mbps / 60 Mbps), 23.98p (100 Mbps / 60 Mbps), 50p (150 Mbps), 25p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (200 Mbps), 29.97p (140 Mbps), 23.98p (100 Mbps), 50p (200 Mbps), 25p (140 Mbps)

MOVIE RECORDING FORMAT (XAVC S HD)

  • 1920 x 1080 (4:2:0, 8bit) (Approx.): 119.88p (100 Mbps / 60 Mbps), 59.94p (50 Mbps / 25 Mbps), 29.97p (50 Mbps / 16 Mbps), 23.98p (50 Mbps), 100p (100 Mbps / 60 Mbps), 50p (50 Mbps / 25 Mbps), 25p (50 Mbps / 16 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.): 59.94p (50 Mbps), 29.97p (50 Mbps), 23.98p (50 Mbps), 50p (50 Mbps), 25p (50 Mbps)

MOVIE RECORDING FORMAT (XAVC S-I 4K)

  • 3840 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (600 Mbps), 29.97p (300 Mbps), 23.98p (240 Mbps), 50p (500 Mbps), 25p (250 Mbps)

MOVIE RECORDING FORMAT (XAVC S-I DCI4K)

  • 4096 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (600 Mbps), 29.97p (300 Mbps), 23.98p (240 Mbps), 50p (500 Mbps), 25p (250 Mbps), 24.00p (240 Mbps)

MOVIE RECORDING FORMAT (XAVC S-I HD)

  • 1920 x 1080 (4:2:2, 10bit) (Approx.): 59.94p (222 Mbps), 29.97p (111 Mbps), 23.98p (89 Mbps), 50p (185 Mbps), 25p (93 Mbps)

SLOW & QUICK MOTION (SHOOTING FRAME RATE)

  • Yes

PROXY RECORDING

  • Yes

TC / UB

  • Yes

RAW OUTPUT

  • Yes (HDMI)

Memory Card Slot

  • SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress 2 Type A card, SLOT2: SD (UHS-I/II compliant) memory card

FOCUS TYPE

  • Fast Hybrid AF (phase-detection AF / contrast-detection AF)

FOCUS POINT

  • Still images: Max. 759 points (phase-detection AF), Movies: Max. 627 points (phase-detection AF)

FOCUS SENSITIVITY RANGE

  • EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)

RECOGNITION TARGET (STILL IMAGES)

  • Auto, Human, Animal, Bird, Insect, Car, Train, Airplane

RECOGNITION TARGET (MOVIES)

  • Auto, Human, Animal, Bird, Insect, Car, Train, Airplane

OTHER FEATURES

  • AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)

METERING TYPE

  • 1200-zone evaluative metering

METERING SENSITIVITY

  • EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

EXPOSURE COMPENSATION

  • +/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)

ISO SENSITIVITY

  • Still images: ISO 100 - 51200 (expandable to ISO 50 - 204800), AUTO (ISO 100 - 12800, selectable lower limit and upper limit), Movies: ISO 100 - 51200 equivalent (expandable to ISO 102400), AUTO (ISO 100 - 12800, selectable lower limit and upper limit)

ANTI-FLICKER SHOOT.

  • Yes

TYPE

  • 1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED)

Number of Dots

  • 3 686 400 dots

Magnification

  • Approx. 0.70x (with 50 mm lens at infinity, -1 m-1)

DIOPTRE

  • -4.0 to +3.0 m-1

Eye Point

  • Approx. 33 mm from the eyepiece lens, 27 mm from the eyepiece frame at -1 m-1 (CIPA standard)

Finder Frame Rate Selection

  • STD 60 fps / HI 120 fps

Monitor Type

  • 7.5 cm (3.0-type) type TFT

TOUCH PANEL

  • Yes

Number of Dots

  • 1 036 800 dots

Adjustable Angle

  • Opening Angle: Approx. 176 °, Rotation Angle: Approx. 270 °

CLEAR IMAGE ZOOM (STILL IMAGES)

  • Approx. 2x

CLEAR IMAGE ZOOM (MOVIES)

  • Approx. 1.5x (4K), Approx. 2x (HD)

Shutter Type

  • Mechanical shutter / Electronic shutter

Shutter Speed

  • Still images (Mechanical shutter): 1/4000 to 30 s, Bulb, Still images (Electronic shutter): 1/8000 to 30 s, Movies: 1/8000 to 1 s

Flash Sync. Speed

  • 1/160 s (35mm full frame), 1/200 s (APS-C)

Electronic Front Curtain Shutter

  • Yes

Type

  • Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)

Compensation Effect

  • Center 5.5 stops and Periphery 5.0 stops (based on CIPA2024 standard. Pitch/yaw/roll shake only. With FE 50mm F1.2 GM lens mounted. Long exposure NR off.)

MODE

  • Still images: On / Off, Movie: Dynamic active / Active / Standard / Off

Continuous Drive Speed (approx. max.)

  • Hi+: 10 fps

NO. OF FRAME RECORDABLE (APPROX.)

  • JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPEG: over 1000 frames, RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPEG: over 1000 frames, RAW (Lossless Compressed): over 1000 frames, RAW (Lossless Compressed) & JPEG: over 1000 frames

MODES

  • Enlarged Image, Protect, Rating, Shot Mark (Movie), Divider Frame, Crop, Photo Capture

FUNCTIONS

  • Screen Reader, Focus Magnifier, Focus Map (Movie), Peaking Display, Subject Recognition in AF, Touch Focus, Touch Tracking, Touch Shutter, Touch AE, Vari-angle LCD screen, Custom function, Enlarge Screen

PC INTERFACE

  • Mass-storage / MTP

MULTI / MICRO USB TERMINAL

  • Yes

USB TYPE-C TERMINAL

  • Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible)

WIRELESS LAN (BUILT-IN)

  • Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))

Bluetooth

  • Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band))

HDMI OUTPUT

  • HDMI connector (Type-A), 4096 x 2160 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p) / 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit, 4672 x 2628 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p), Raw 16bit

Multi Interface Shoe

  • Yes (with Digital Audio Interface)

Mic Terminal

  • Yes (3.5 mm Stereo minijack)

Headphone Terminal

  • Yes (3.5 mm Stereo minijack)

REMOTE CONTROL (WIRELESS)

  • Yes (Bluetooth remote control)

FUNCTIONS

  • Send to smartphone, Remote control via smartphone, Remote Shooting

VIDEO DATA FORMAT

  • MJPEG, YUV420

VIDEO RESOLUTION

  • 3840 x 2160 (14.99p / 29.97p), 1920 x 1080 (29.97p / 59.94p), 1280 x 720 (29.97p), 3840 x 2160 (12.5p / 25p), 1920 x 1080 (25p / 50p), 1280 x 720 (25p)

AUDIO DATA FORMAT

  • LPCM 2ch (16bit 48 kHz)

VIDEO DATA FORMAT

  • MPEG-4 AVC/H.264, MPEG-H HEVC/H.265

VIDEO RESOLUTION

  • 3840 x 2160 (29.97p / 59.94p), 3840 x 2160 (25p / 50p), 2560 x 1440 (29.97p / 59.94p), 2560 x 1440 (25p / 50p), 1920 x 1080 (29.97p / 59.94p), 1920 x 1080 (25p / 50p), 1280 x 720 (29.97p / 59.94p), 1280 x 720 (25p / 50p)

AUDIO DATA FORMAT

  • AAC-LC 2ch (16bit 48 kHz)

PROTOCOL

  • RTMP, RTMPS, SRT

Microphone

  • Built-in, stereo

Speaker

  • Built-in, monaural

SETTING

  • Shading, Chromatic Aberration, Distortion, Breathing (Movie)

SUPPLIED BATTERY

  • One rechargeable battery pack NP-FZ100

Battery Life (Still Images)

  • Approx. 470 shots (Viewfinder) / Approx. 520 shots (LCD monitor) (CIPA standard)

Battery Life (Movie, actual recording)

  • Approx. 90 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA standard)

Battery Life (Movie, continuous recording)

  • Approx. 150 min (Viewfinder) / Approx. 155 min (LCD monitor) (CIPA standard)

Internal Battery Charge

  • Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

USB POWER SUPPLY

  • Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

Power consumption with Viewfinder

  • Still images: Approx. 4.2 W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 6.6 W (with FE 28-70mm F3.5-5.6 OSS lens attached)

Power consumption with LCD screen

  • Still images: Approx. 3.8 W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 6.3 W (with FE 28-70mm F3.5-5.6 OSS lens attached)

WEIGHT (WITH BATTERY AND MEMORY CARD INCLUDED)

  • Approx. 679 g / Approx. 1 lb 8.0 oz

BODY ONLY

  • Approx. 594 g / Approx. 1 lb 5.0 oz

Dimensions (W x H x D)

  • Approx. 129.7 x 77.8 x 103.7 mm, Approx. 129.7 x 77.8 x 85.0 mm (from grip to monitor) / Approx. 5 1/8 x 3 1/8 x 4 1/8 inches, Approx. 5 1/8 x 3 1/8 x 3 3/8 inches (from grip to monitor)

OPERATING TEMPERATURE

  • 0 - 40 ℃ / 32 - 104 °F

STORAGE TEMPERATURE

  • -20 - 55 ℃ / -4 - 131 °F

WHAT'S IN THE BOX

  • Rechargeable Battery NP-FZ100, Body cap, Accessory shoe cap, Eyepiece cup, XLR handle unit, Handle shoe cap

Features

Product image of a close-up of the full-size sensor of the FX2

Cinematic expression with a full-frame sensor

The full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R™ CMOS sensor supported by a BIONZ XR™ image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP resolution, giving ambitious cinematic visionaries everything they need.

Example image of a woman looking at scenery outside a window, her form silhouetted between two curtains

Outstanding image quality for maximum editing flexibility

The FX2's full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3, enabling even high-contrast scenes to be captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3/S-Gamut3.Cine colour gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.

Product image of the UI screen for setting the file format

Multiple recording formats for versatile shooting and editing

7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p) recording is available in Super 35mm mode. With 10-bit depth, 4:2:2 colour sampling, an efficient MPEG-H HEVC/H.265 codec, and Intra recording including DCI-4K (4096 x 2160), outstanding quality is assured.

Product image on the left side with the UI screen for setting Log shooting mode, and an example image on the right side of a woman’s face

Log recording modes for production flexibility

For creative flexibility, there are three modes available for Log recording — Flexible ISO, Cine EI, and Cine EI Quick — with Cine EI widely used in professional filmmaking for footage shot with post production in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing for specific tonal ranges to be enhanced in post production to achieve your desired cinematic look. 

Product image of the UI screen showing recording formats

Import up to 16 user LUTs

With the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies, providing a more accurate preview of the final graded image. In addition to three presets, up to 16 user LUT files can be imported from memory cards or Sony’s Creators’ Cloud and selected as needed. The LUT used for recording can then be embedded in the video metadata for easy access during post production.

Product image of the screen showing a video clip shot using S-Cinetone

Create moods right in the camera

Picture Profile presets make it easy to adjust colour and gradation to create a variety of moods in camera. These include the invaluable S-Cinetone™, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.

Product image of the UI screen for desqueeze settings

Desqueeze display for anamorphic lenses

Anamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.39:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony’s Monitor & Control app provides even more detailed settings for monitoring on a tablet or other external display device.

Example image of a still frame from a video clip shot using slow motion

Frame rate freedom

An FPS menu inherits features from Cinema Line higher-end models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion at 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120 fps.

Product image showing a lineup of E-mount lenses from Sony

An extensive range of expressive E-mount lenses

Sony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, exquisite primes and powered zooms. Combine with Sony original microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.

Product image of the screw holes on the top and bottom of the FX2

Compact and lightweight with built-in accessory mount points

With the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1/4-20 (UNC) screw holes in three locations for mounting accessories, making the overall system lighter and more compact, while reducing setup and takedown time. Two additional screw holes for secure tripod mounting are located on the bottom panel.

Usage image of a videographer holding the FX2 by an XLR handle in his right hand, filming a subject

Attach a top handle for extra handling ease

Sony’s XLR Handle Unit XLR-H1 can be attached to the FX2 body to minimise shifts in the centre of gravity when changing lenses. It can also significantly enhance handheld shooting flexibility, especially when performing tricky manoeuvres like shooting from a low position while moving. The handle has three 1/4-20 screw holes for further accessory mounting.

Example image of a woman in the street, looking over her shoulder

AI-based Real-time Recognition AF

Equipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects. A detection frame indicates the recognised subject and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognises subject movement, and human eye recognition has been improved by about 30% compared to the FX3/FX30.

Example image of an alarm clock in focus in the foreground, with a woman reaching to stop the alarm in the bokeh background

Fine-tuned focus control

AF Assist allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualise depth of field by overlaying focus info on the live view display, and the Breathing Compensation function can significantly enhance image stability.

Usage image of the FX2 mounted on a tripod in focus in the foreground, using the Auto Framing feature to track a woman walking in the bokeh background

Automatic framing using advanced AI

The FX2's Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.

Usage image of a man bent over holding an FX2 by an XLR handle, filming a woman walking

Stabilisation for dynamic handheld shooting

Active Mode boosts stabilisation while walking and shooting. Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilises electronic stabilisation for as much as 30% greater effect, making it possible to shoot stable footage even when running around. Corresponding stabilisation metadata is embedded in the footage allowing for even greater stabilisation control in post production if needed.

Usage image of a videographer taking photos in the foreground with two videographers filming video in the bokeh background

Stills at the flip of a switch

A single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to snap stills while recording or playing video that has a previously imported user LUT.

Product image of the UI screen for Log Shooting settings for still images

Visual consistency across stills and videos

The Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post production. Transform your stills in editing applications such as Blackmagic Design DaVinci Resolve, ready for a variety of uses while maintaining the same look.

Usage image of a videographer looking through an electronic viewfinder tilted at a 45-degree angle

Tiltable high-definition electronic viewfinder

Keep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 dioptre), and the angle of view and eyepoint are optimised for video recording. The viewfinder itself can be rotated from 0 ° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.

Product image of the buttons on the top of the FX2

Control layout designed for professional use

The FX2 boasts the size and weight advantages of mirrorless cameras while delivering professional operability. Frequently used controls are concentrated around the grip and on the top panel, and long-stroke buttons on the top panel are easily operated even with your thumb. The zoom lever allows efficient power zoom and Clear Image Zoom control.

Usage image of a videoprapher holding the FX2 with the LCD monitor angled outwards, filming a video

Flexible vari-angle LCD monitor

The high-definition 3.0 type vari-angle 1.03 million dot LCD monitor can be rotated through a wide range of angles and is clear of interference from an HDMI cable. Touch operation remains available when the monitor is open in a sideways position.

Product image of the UI screen showing the BIG6 (Home) screen

Frequently used parameters all in one place

The FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed/angle), Aperture or ND Filter, Look, and White Balance. This proven BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable/Fixed parameters.

Product image of the UI screen showing the Proxy recording settings

Proxy recording

Low-bitrate HD proxy videos can be recorded simultaneously with any of the available recording formats, including XAVC S-I 4K. These files can then be used for editing and previewing to reduce computer load when working with 4K footage. Proxy files can be recorded in two formats: XAVC HS (1920 x 1080) at 10-bit depth, or XAVC S (1280 x 720) at an even lighter 8-bit depth.

Product image of the FX2 with the tally lamp illuminated

Tally lamps and high visibility recording indication

The camera is equipped with tally lamps on both its front (top) and back, so you can easily keep track of whether you’re capturing the action. The illuminated REC button also functions as a tally lamp linked to the rear lamp, and a red frame on the LCD monitor acts as another indicator for recording, remaining visible even when the screen is partly obscured by a rig or gimbal.

Product image of the FX2 showing its memory card slots and corresponding memory cards

CFexpress Type A memory card support

Two card slots support SDXC/SDHC UHS-II/UHS-I memory cards, with one also supporting CFexpress Type A cards, giving you plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.

Usage image of a videographer holding the FX2 equipped with an XLR handle and microphone while filming a video

Digital audio without degradation

With an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.

Usage image of a videographer operating the FX2 with an external monitor attached

4:2:2 10-bit or 16-bit RAW output via HDMI

An HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post production. 16-bit RAW video is output at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]/[29.97p]/[23.98p]/[24.00p] frame rates.

Time code synchronisation

The FX2 can be synced to timecodes from a second camera that has a BNC output terminal. Connect its Multi/Micro USB terminal to the dedicated VMC-BNCM1 adaptor cable, and then to the second camera via a BNC cable.

Usage image of a videographer’s arms holding the FX2 and filming a woman dancing in the bokeh background

Plenty of power for long shoots

A high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time or up to 155 minutes of continuous shooting. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD). The optional DC-C1 DC Coupler can supply stable power without occupying the camera’s USB Type-C® terminal.

Usage image of the FX2 connected to a smartphone via a USB cable, transferring recorded video

Flexible network communication

The FX2 supports Wi-Fi communication at 2.4 GHz and 5 GHz (802.11ac). Simply select the band that provides the most stable communication with the least interference. Wired transfer to an FTP server using the 1000BASE-T standard is also possible via a USB-Ethernet LAN adaptor connected to the camera’s SuperSpeed USB 10 Gbps compatible USB Type-C port. A USB connection can also be used for convenient remote shooting.

Usage image of a videographer operating the FX2 mounted on a tripod, live streaming a woman speaking into a microphone

Easy live streaming

The FX2 is also a great choice for live streaming to a computer via USB (UVC/UAC) or either a wireless or wired LAN network. You can stream up to 4K (3840 x 2160) 59.94p video via LAN while simultaneously recording to the camera’s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.

Illustration of the internal structure of the FX2 for heat management

Effective heat management

Enjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilisation unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.

Usage image of the FX2 being held by an attached handle above a puddle

Dust and moisture resistant design

Numerous refinements throughout the body design have enhanced dust and moisture resistance, ensuring maximum reliability in challenging outdoor conditions. The camera’s outer shell seams and the battery cover are well sealed, the cooling fan flow is carefully isolated, and the lens lock button has been redesigned, among other improvements.

Usage image of a videographer  filming a woman with the FX2 with a iPad connected as an external monitor

Monitor & Control

Sony's Monitor & Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad. All of this can contribute to smoother workflows with a minimal crew.

Learn more about Monitor & Control

Usage image of a videographer using Catalyst on a PC for post-production

Catalyst Browse, Catalyst Prepare/Plugin

The Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK/NG/KEEP flags added while recording can also be imported for easier shot selection. Image stabilisation, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post production.

Learn more about Catalyst

Usage image of a videographer transferring video from the FX2 to the cloud using the Creators' App

Cloud Upload (camera direct)

Recorded files can be directly uploaded to Creators’ Cloud storage from the camera without having to transfer via a smartphone or other device. Once in the Creators’ Cloud, data can be transferred to other cloud services such as Google Drive™ or Adobe Lightroom to suit your workflow.

Learn more about Creators' App

Illustration showing a conceptual diagram of the Creators' Cloud service

Creators' Cloud platform

Creators' Cloud is a platform that supports creative work from shooting to production by combining Sony's advanced camera technology and the cloud. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.

Learn more about Creators' Cloud

Illustration of the "Road to ZERO" logo

Environmentally conscious

Sony’s environmental plan "Road to Zero" aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimised from development through the supply chain, production, and packaging.

Product image of the packaging materials for the FX2

Non-plastic packaging materials

Sony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimising environmental stress.

Product image of the UI screen for setting the Screen Reader function

Greater accessibility for all users

Accessibility features, such as a menu magnifier and a screen reader that reads menu text aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more, make the joys of photography and moviemaking available to the widest possible range of users.