Full Specifications & Features
General
- CAMERA TYPE
- Interchangeable lens digital camera
- LENS MOUNT
- E-mount
Size & Weight
- WEIGHT (MAIN UNIT ONLY) (approx.)
- 715 g (1 lb 9.3 oz) (with battery and memory card included), 630 g (1 lb 6.3 oz) (body only)
- WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (approx.)
- 1.015 kg (2 lb 3.8 oz) (with XLR Handle, battery pack, SD card)
- DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (approx.)
- 129.7 mm x 77.8 mm x 84.5 mm (5 1/8 x 3 1/8 x 3 3/8 inches) (body without protrusions)
Power
- POWER CONSUMPTION
- [Movie] Approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), [Still image] Approx. 3.5W (with FE 28-70mm F3.5-5.6 OSS lens attached)
- BATTERY OPERATING TIME
- Approx. 95 min (Actual recording, CIPA standard) , Approx. 135 min (Continuous recording, CIPA standard), Approx. 570 shots (still images, CIPA standard)
Operation
- OPERATING TEMPERATURE
- 0°C to 40°C, 32°F to 104°F
- STORAGE TEMPERATURE
- -20°C to +55°C, -4°F to +131°F
Recording Format (Video)
- XAVC HS
- [XAVC HS 4K] XAVC HS 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200Mbps 4:2:0 10bit MPEG-H HEVC / H.265
- XAVC S
- [XAVC S 4K] XAVC S 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264,
- XAVC S-I
- [XAVC S-I 4K] XAVC S-I 4K 59.94p 600Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89Mbps 4:2:2 10bit MPEG-4 AVC / H.264,
- XAVC S-I DCI
- [XAVC S-I DCI 4K] XAVC S-I DCI 4K 59.94p 600 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 50p 500 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 29.97p 300 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 25p 250 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 23.98p/24.00p 240 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264
Recording Format (Audio)
- RECORDING FORMAT (AUDIO)
- LPCM 2ch (48kHz 16bit), LPCM 2ch (48kHz 24bit), LPCM 4ch (48kHz 24bit), MPEG-4 AAC-LC 2ch
Recording Frame Rate
- XAVC HS
- [XAVC HS 4K] 3840x2160/119.88p, 100p, 59.94p, 50p, 23.98p
- XAVC S
- [XAVC S 4K] 3840x2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p
- XAVC S-I
- [XAVC S-I 4K] 3840x2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p
- XAVC S-I DCI
- [XAVC S-I DCI 4K] 4096x2160/59.94p, 50p, 29.97p, 25p, 23.98p, 24.00p
Slow & Quick Motion
- XAVC HS
- XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps
- XAVC S
- XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps
- XAVC S-I
- XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps
- XAVC S-I DCI
- XAVC S-I DCI 4K: 24.00p: 1fps, 2fps, 3fps, 6fps, 12fps, 24fps, 48fps, [NTSC mode] 59.94p/29.97p/23.98p: 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, [PAL mode] 50p/25p: 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps
Recording/ Playback Time
- XAVC HS
- [XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80GB) Approx. 75 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80GB) Approx. 95 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80GB) Approx. 140 minutes
- XAVC S
- [XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80GB) Approx. 130 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80GB) Approx. 210 minutes
- XAVC S-I
- [XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80GB) Approx. 35 minutes
- XAVC S-I DCI
- [XAVC S-I DCI 4K] 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80GB) Approx. 10 minutes
- PROXY AUDIO
- XAVC Proxy: AAC-LC, 128kbps, 2 channels
- PROXY VIDEO
- [XAVC HS HD] MPEG-H HEVC/H.265 1920 x 1080 4:2:0 10bit 16Mbps, 1920 x 1080 4:2:0 10bit 9Mbps, [XAVC S HD]MPEG-4 AVC/H.264 1280 x 720 4:2:0 8bit 6Mbps
RAW Output
- RAW Output
- HDMI: 4264 x 2408 (59.94p/50p/29.97p/25p/23.98p), 16bit
Other Video Function
- VIDEO FUNCTIONS
- Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector
Camera Section
- SENSOR TYPE
- 35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor
- PIXELS
- Approx. 10.3 megapixels (effective) for movies, Approx. 12.1 megapixels (effective) for Still images, Approx. 12.9 megapixels (total)
- SENSITIVITY
- [Movie] ISO 80-102400 equivalent (Expandable to ISO 409600), AUTO (ISO 80-12800, selectable lower limit and upper limit), [Still image] ISO 80-102400 (Expandable to ISO 40- 409600), AUTO (ISO 80-12800, selectable lower limit and upper limit)
- SHUTTER SPEED
- Movie: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode) Still image: 1/8000 to 30 sec, Bulb
White Balance
- WHITE-BALANCE MODES
- Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom
Gamma
- GAMMA CURVE
- Off / PP1-PP6, PP10-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset / PPLUT1-4, Parameters: Basic Look
Latitude
- Latitude
- 15+ stop (S-Log3)
Focus System
- Type
- Fast Hybrid AF (phase-detection AF / contrast-detection AF)
- FOCUS POINT
- [Movie] 627 points, [Still image] 35mm full frame: 759 points (phase-detection AF)
- SENSITIVITY RANGE
- EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)
- FOCUS MODE
- [Movie] AF-C, MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
- FOCUS AREA
- [Movie] Wide / Zone / Center Fix / Spot / Expanded Spot [Still image] Wide / Zone / Center Fix / Spot / Expanded Spot / Tracking
- OTHER FOCUS FEATURES
- Eye AF ([Movie] Human (Right/Left Eye Select, [Still image] Human (Right/Left Eye Select) / Animal), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still] AF Track Sens., Face detection (Face Priority in AF), Face Priority in Multi Metering, Regist. Faces Priority, Focus Magnifier (35mm full frame: 2.1x / 4.1x APS-C: 1.5x / 3.0x)
Exposure Control
- METERING SENSITIVITY
- EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
- EXPOSURE MODES
- [Movie] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode, [Still images] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M)
Recording (Still image)
- RECORDING FORMAT
- JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)
- IMAGE SIZE
- Image size [3:2] 35mm full frame L:12M, M:5.1M, S:3.0M, APS-C L:5.1M, M:3.0M, S:1.3M, Image size [4:3] 35mm full frame L:11M, M:4.6M, S:2.7M, APS-C L:4.6M, M:2.7M, S:1.1M Image size, [16:9] 35mm full frame L:10M, M:4.3M, S:2.6M, APS-C L:4.3M, M:2.6M, S:1.1M, Image size [1:1] 35mm full frame L:8M, M:3.4M, S:2.0M, APS-C L:3.4M, M:2.0M, S:0.8M
Playback
- PLAYBACK FUNCTIONS
- Index view, Folder selection (Date / Still / Movie), Photo capture, 4Ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)
Interface
- TC INPUT/TC OUTPUT
- Multi/Micro USB, TC IN
- AUDIO INPUT
- 3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2), line/mic/mic +48V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack)
- USB
- USB Type-C
- HEADPHONE OUTPUT
- Yes (3.5 mm Stereo minijack)
- SPEAKER OUTPUT
- Built-in, monaural
- HDMI OUTPUT
- HDMI jack (Type-A), YCbCr 4:2:2 10bit / RGB 8bit
- MULTI INTERFACE SHOE
- With Digital Audio Interface
- Bluetooth
- Bluetooth Standard Ver. 5.0 (2.4GHz band))
Media
- MEDIA TYPE
- CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy
Monitoring
- LCD
- 7.5cm (3.0-type) type, approx. 2.36M dots, touch panel, Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.
Built-in Microphone
- BUILT-IN MICROPHONE
- Built-in, stereo
File System
- FILE SYSTEM
- FAT12, 16, 32, exFAT
Zoom
- ZOOM FUNCTION
- Zoom ring rotate, Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] Approx. 2x ), Digital zoom ([Movie] 35mm full frame: approx. 4x, APS-C: approx. 4x, [Still image] 35mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x, APS-C: L: approx. 4x, M:approx. 5.2x, S: approx. 8x), Smart zoom ([Still image] 35mm full frame: M: approx. 1.5x, S: approx. 2x, APS-C: M:approx. 1.3x, S: approx. 2x)
Still image function
- SHUTTER
- Mechanical shutter / Electronic shutter
- DRIVE MODES
- Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
- CONTINUOUS SHOOTING SPEED
- Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps
- NOISE REDUCTION
- Long exposure NR: On/Off, available at shutter speeds longer than 1 sec., High ISO NR: Normal / Low / Off
- FLASH CONTROL
- Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe, Flash sync speed 1/250 sec.
- OTHER STILL IMAGE FUNCTION
- Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot
Image Stabilization
- Type
- Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
- MODE
- [Movie] Active / Standard / Off, [Still image] On / Off
- COMPENSATION EFFECT (STILL IMAGES)
- 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)
Custom Function
- CUSTOM FUNCTION
- Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set
Lens Compensation
- LENS COMPENSATION
- Shading, Chromatic Aberration, Distortion, Breathing (Movie)
Wi-Fi/NFC
- SUPPORTED FORMAT
- IEEE 802.11a/b/g/n/ac
- FREQUENCY BAND
- 2.4GHz band/5GHz band
- SECURITY
- WEP/WPA-PSK/WPA2-PSK
- NFC
- ー
FTP Transfer
- FTP Transfer
- Wired LAN (USB-LAN), USB Tethering, Wi-Fi
Supplied Accessories
- SUPPLIED ACCESSORIES
- Rechargeable Battery NP-FZ100; Battery Charger BC-ZD1; XLR handle unit; Accessory shoe kit; Body cap; Accessory shoe cap; Handle shoe cap
Features
Image sensor with blazingly fast readout speed
The back-illuminated full-frame Exmor R™ CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.
High performance image-processing engine
The BIONZ XR™ image-processing engine is designed for high speed, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations.
High sensitivity, wide dynamic range
The full-frame sensor enables high sensitivity with low noise throughout the camera's range by optimising the sensor’s output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops, without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your flexibility in post-production.
4K High Frame Rate 120fps recording
You can record full-frame 4K (QFHD) at up to 120fps with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow motion shooting.
Acclaimed cinematic colour with S-Cinetone™
The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction even without post production grading. [1] Standard (Picture Profile OFF) [2] S-Cinetone (Picture Profile 11)
All-Intra internal recording
In addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC S-I recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production. [1] All-Intra (All-I) [2] Long-GOP [3] Group of Pictures
HEVC codec with high compression efficiency
XAVC HS format recording, using the MPEG-H HEVC/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.
DCI 4K recording in true 24p
The FX3 allows you to shoot in a wide range of formats to suit your shooting needs. You can also select XAVC S-I DCI 4K (4096 x 2160) format which is often used in cinema shooting. And true 24p (24.00p) can be an option for recording frame rate when you selecting XAVC S-I DCI 4K.
16-bit RAW data output
For demanding post-production workflows, 16-bit RAW output is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution. Additionally, when using an external recorder, RAW format such as ProRes RAW and Blackmagic RAW are supported, offering greater flexibility for professional editing environments.
New S-Log shooting modes for optimized image quality
Three modes are provided for recording with the S-Log3 gamma curve. Cine EI, used in Sony’s high-end Cinema Line models, offers wide latitude and the highest possible image quality. Eine EI Quick simplifies setup by automatically switching the camera’s base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings. In addition, Sony’s s709, 709tone, and ITU709 has been added to the available LUT presets.
Proxy recording for more efficient editing workflow
Low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720).
Expand your vision with Creative Look
Looks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customised using individual parameter settings such as hue, colour depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user's preference, and you can also register your favourite settings as a custom look.
10-bit HLG picture profile
An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. [1] High flexibility to fine-tune images as desired (colour grading required) [2] Instant high-quality image (colour grading not required)
Flexible exposure mode
Flexible Exposure Mode allows the Auto and Manual modes for iris, shutter speed and ISO to be set independently. The lock function, activated by a short press on the respective custom buttons, locks the related controls to prevent changes if the dial or wheel is accidentally moved. The frequently used iris and ISO can be controlled by the easily accessible front and rear dials as well as by the dial on the top panel.
Fast Hybrid AF for dependable focus during movie shooting
Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.
Fast, easy and reliable Real-time Tracking and Eye AF
Focus control is fast and intuitive, to ensure you have full creative control of the FX3’s powerful AF technology. Real-time Tracking greatly assists during solo shooting by analysing the subject's colour, patterns, and depth. When shooting people, Real-time Eye AF makes movie-making much easier, especially with gimbal-mounted shots and wherever you need to rely on AF.
De-squeeze display for anamorphic lens
When shooting with anamorphic lenses, you can choose a de-squeeze ratio (1.3 x, 1.5 x. 1.6 x, and 2.0 x)* in the menu to display the movie with horizontal correction on the LCD monitor, according to the ratio of the attached anamorphic lens.
Selectable shutter angle and speed
Users can switch between displaying shutter speed, or shutter angle for fluid and familiar videography.
Compensation for focus breathing
With the breathing compensation function turned on, the camera allows you to shoot movies with more stable images when you used with compatible lenses. The breathing metadata can also be recorded so that you can apply compensation with the latest Catalyst Browse/Prepare Plugin software during post-production.
Fast, easy touch focus control
Touch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It's fast, easy, and intuitive to perform rack focusing through touch operation—ensuring you have full creative control of the FX3's powerful AF technology.
In-body optical image stabilisation for handheld shooting
Relying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera's Optical SteadyShot™ Active Mode provides precise optical image compensation, for outstanding results for 4K video recording , even while walking. With this unprecedented level of stabilisation it's possible to shoot with the camera only, taking advantage of the compact size and mobility. [1] Track of camera shake [2] Standard [3] Active
XLR adaptor and digital input for quality audio
The handle of the FX3 includes two independent full-size XLR connectors (XLR/TRS combo) to connect external professional microphones through a digital audio interface via the Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel.
HDMI Type-A output and monitoring options
With a durable and versatile HDMI Type-A jack, it is possible to simultaneously output video to the camera's LCD monitor, an HDMI-connected external recording or monitoring device.
Uninterrupted 4K 60p recording
For uninterrupted 4K 60p recording, the FX3 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimised airflow and placement of heatsinks. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.
REC lamps and highlighting during video recording
There is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.
Customisable buttons for professional movie creators
The innovative mirrorless design provides mobility alongside uncompromising professional operability. Frequently used controls are positioned on the top surface, and the many customisable keys and menus deliver streamlined workflows in the field. It’s designed for professional results, even when shooting requires one-handed control or challenging shooting angles and lens handling.
Various zoom operations tailor your expression
The zoom lever placed at the top of the grip allows operation of power zoom lenses. Additionally, our innovative Clear Image Zoom provides for practical angle of view options even with minimal equipment. Zoom speeds can also be adjusted to suit everything from quick documentary re-framing to purposeful cinematic zooms.
Cage-free accessory mounting
Five 1/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimised for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions.
Touch-driven menu with workflow-based navigation
Responding to requests from pro photographers and videographers, the menu structure has been designed to make moviemakers’ work more efficient. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.
Flexible camera positioning with vari-angle monitor
The FX3 is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low angle shots. The 3.0-type, approximately 2.36 million-dot large touch panel LCD has high visibility and clarity.
Two CFexpress Type A-compatible media slots
The camera's two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.
Reliable, durable, and lightweight construction
For high durability and mobility, the main camera chassis, top, front, and rear covers are constructed from lightweight and robust magnesium alloy, with the lens mount secured by six screws for stable attachment of heavy lenses. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface.
Reliable durability and weather resistance in tough situations
In response to feedback from working professionals, sealing has been applied to all body seams and around the battery and media compartments, terminal covers and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.
Power for professional length
For extended shooting sessions, the FX3 is compatible with large-capacity NP-FZ100 batteries. USB-PD (Power Delivery) support also enables fast charging or continuous shooting when connected to a compatible USB Type C® power supply or portable powerbank battery.
Flag clips for efficient post-production
For complex shoots and faster editing turnaround, users can flag clips as OK, NG, or KEEP from the menu or a Custom button. Flags are visible in the thumbnail view and in Catalyst software, for rapid filtering and selection during editing.
Wireless monitoring and remote control
Connecting a smartphone or tablet to the camera with the Monitor & Control app enables wireless monitoring, high-precision exposure adjustment, and focus control on a larger screen.
Data communications to support on-site workflow
Wireless 5GHz/2.4GHz LAN connections are supported, as are 1000BASE-T Ethernet network connections via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® terminal supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. Wired and wireless FTP transfer for data files as well as remote shooting capabilities support professional workflows during shoots.
Metadata to facilitate editing with Catalyst
Sony’s Catalyst Browse and Prepare software are ideal production partners for the FX3. The camera records multiple types of metadata: LUTs, image stabilization, focus breathing, camera rotation, ND filter settings configured on the camera, and Shot Marks. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or purchased Catalyst Prepare software.
Creators' Cloud platform
Creators' Cloud is a platform that supports creative work from shooting to production by combining Sony's advanced camera technology and the cloud. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.
S&Q shooting settings with frame rate specification
It is now possible to select high frame rate recording from [Fixed/Variable selection] used in CineAlta cameras such as VENICE. A mode has been added that allows for S&Q shooting settings by directly specifying the shooting frame rate. By selecting [Variable] from the [Fixed/Variable selection], the video can be recorded in is greater than the recording frame rate, it results in slow motion, and when it is lower, it results in quick motion. Additionally, by changing the recording frame rate in relation to the shooting frame rate, the playback speed can be adjusted.
Frequently used parameters all in one place
The FX3 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed/angle), Aperture or ND Filter, Look, and White Balance. This proven BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable/Fixed parameters.